Wokiksuye: The Politics of Memory in Indigenous Art, Monuments, and Public Space

This year, I have fulfilled the requirements of my Masters degree program in Art, Culture and Technology, at the MIT School of Architecture and Planning. One of the requirements was to produce a thesis. Here is my thesis abstract:

The powers of creativity and symbolism that art draws upon have been used in the public realm to uplift and also to oppress. Within this context, art, from Indigenous perspectives, can positively influence the collective imaginations and wokiksuye (memory) of society. Indigenous intervention into the practice of public art can powerfully contribute to the process of decolonization and Indigenization in America. Considerations embedded in notions of public space within a settler colonial society, such as the attempted erasure of Indigenous peoples and histories, and the supplanting of Western doctrines over Indigenous cultures, influence the production and reception of this work. Erin Genia, a Dakota artist, analyzes the politics of memory in public space by scrutinizing monuments celebrating the American colonial project and describes the impacts of Western imperialism on Indigenous arts and cultures. By presenting her own artwork, as well as that of prominent Indigenous artists working in the public sphere, she shows how understandings of place and relationship underpin Dakota/Indigenous methods, and argues that public art is an arena where an evolution of thought and practice in approaches to the world can come to fruition.

I created the image above for the 2019 SA+P Thesis show. You can see information about this thesis, and other students theses here.

You can read more about my graduate work, including my thesis, here.